Inglorious will release their second album – aptly titled ‘Inglorious II’ – via Frontiers Records on 12 May.
Singer Nathan James said of the album:
"It came together very organically after spending time touring together and felt great. We knew we were making an album this time too! We focused on getting our sounds just right so we could get into the studio and out in the least time possible. Between Adde [Eriksson]'s flat in Malmö, Sweden and [bassist] Colin [Parkinson]'s family home in Somerset, England, this album came together quickly. We spent three weekends in Somerset, writing in a kind of 9-5 fashion, whereby we knew we were at work. Then, after a lovely home cooked dinner, we would relax, have a few beers and balance out our hard work. The environment is so important to be creative and we had it good!"
The band have also announced that original guitarist Drew Lowe has rejoined on a permanent basis, following the departure of Wil Lewis, who let when the new album had just been completed.
Inglorious headline the Planet Rock Winter’s End festival in Poole on 25 February and also appear at the Steelhouse Festival in Ebbw Vale on 28/29 July and the Weyfest Festival in Tilford on 19 August.
Canadian hard rockers Monster Truck have been added to the bill for this year’s Steelhouse Festival, which takes place at Hafod-y-Dafal, just outside Ebbw Vale in south Wales, on Saturday 29 and Sunday 30 July.
Promoter Max Rhead said: “Monster Truck are by far and away the most requested band we’ve booked this year. I think their incredible mainstage performance at Download last year has seen their popularity grow massively. We’re looking forward to welcoming these ‘proper rockers’ to our mountaintop.”
They join a bill that already features Skindred and Saxon, who will be bringing their full Eagle stage show to Steelhouse, as well as Last In Line, Inglorious, Steve Harris British Lion, King King, Jared James Nichols, Stone Broken, Broken Witt Rebels, Tequila Mockingbyrd and Florence Black.
W.A.S.P. have announced a full UK and Ireland tour to mark the 25th anniversary of the band’s iconic concept album, ‘The Crimson Idol’.
The ‘Re-Idolized’ tour will see the band perform the album – plus three songs intended for the original 1992 recording but ultimately omitted – in its entirety. The second half of the set is being billed as a “collection of greatest hits”.
Blackie Lawless has also revealed that the band will release a re-recorded version of the album, along with a 50 minute DVD of the story, later this year.
Tour dates are as follows:
Thursday 12 October – Hastings, White Rock Theatre
Friday 13 October – Nottingham, Rock City
Saturday 14 October – Leeds, O2 Academy
Sunday 15 October – Newcastle, O2 Academy
Monday 16 October – Glasgow, O2 ABC
Wednesday 18 October – Belfast, Limelight 1
Thursday 19 October – Dublin, Academy
Friday 20 October – Wolverhampton, Wulfrun Hall
Saturday 21 October – Manchester, O2 Ritz
Sunday 22 October – Buckley, Tivoli
Tuesday 24 October – Cardiff, Tramshed
Wednesday 25 October – Bristol, O2 Academy
Thursday 26 October – Norwich, UEA
Friday 27 October – London, O2 Forum
Tickets for all dates are on sale now from all usual outlets.
Scottish alt-rock outfit Vukovi will release their self-titled debut album via LAB Records on 10 March– the same day on which they kick off a headline tour at Glasgow’s King Tuts.
The album is preceded by a single, ‘La Di Da’. The accompanying video is not suitable for anyone who has a fear of snakes:
“I wanted the video for ‘La Di Da’ to be a representation of my subconscious”, frontwoman Janie Shilstone says. “Almost like watching what a satanic, schizophrenic nightmare would look like.”
“At first I was terrified when David, the owner, turned up with this see-through box. I totally froze when I saw her, though David assured me that she'd never bit or tried to strangle anyone before!
“Her name was Honey, a six foot boa constrictor, and after 20 mins of stroking her I finally plucked up the courage to hold her. I completely fell in love. She slithered down my left arm and rested her head on my hand, it was so therapeutic.
Partly inspired by the Joker and Harley Quinn relationship Janine was obsessed with as a comic book loving teen, “the song portrays an abusive relationship unbeknown to the victim”.
“There are a lot of emotions throughout the song. There’s vulnerability, and there’s resistance. It took time to come together, and it had to live on the back burner for a while. But one night I gave in to the niggling that kept demanding I go back to it. I remember the moment it came together; me and Hamish (Reilly, guitars) in my flat drinking pretentious cocktails, laptop, tiny amp, guitar…”
Friday 10 March - Glasgow, King Tut’s Saturday 11 March - Leeds, Key Club Monday 13 March - Manchester, Sound Control Tuesday 14 March - Bristol, The Louisiana Thursday 16 March - London, Boston Music Room Saturday 18 March - Nottingham, Rock City Basement Sunday 19 March - Aberdeen, Tunnels
FASTER PUSSYCAT, VAIN and JIZZY PEARL have been confirmed for the brand new HRH SLEAZE festival, which takes place at the 02 Academy in Sheffield over the weekend of 2/3 September.
Other acts confirmed for this latest addition to the growing Hard Rock Hell series of specialist festival weekenders include Tyla's Dogs D'Amour, Tigertailz, Crazy Lixx, Sister, Bulletrain, Stop Stop, Wildside Riot, Kaato, New Generation Superstars, Daxx & Roxane, Devilstar, New Device, 44 Caliber and Superhooch.
Highway To Hell, HRH’s annual battle of the bands competition which offers slots at various of their festivals as well as record deal with affiliate Off Yer Rocka Recordings, once again will take place at the same venue on Friday 1 September.
Northern Ireland doom/death trio THE CRAWLING are to release their debut full-length album, ‘Anatomy Of Loss’ via Grindscene Records on 7 April.
The band, who hail from Lisburn in County Antrim, have previously released a single, ‘Choking On Concrete’, and an EP, ‘In Light Of Dark Days’, in January and October 2015 respectively.
Vocalist/guitarist Andy Clarke explained that ‘Anatomy Of Loss’ is an album inspired by true events:
“It examines experiences of the band first hand, and what we see in our everyday lives. In short, it is a collection of stories about loss, regret and despondency. It looks at how people develop mechanisms to cope with grief, failure and heartbreak; and more often than not - the inability to do so. The recording process consisted of fun, despair, rage and subsequently immense satisfaction. Translating a song from the rehearsal studio to record is a daunting task, but this album was particularly challenging."
"I have my own studio, so we figured we would simply invest in ourselves, and spend far too many hours ensuring everything was captured just as we wanted. The results were inspiring; we have a heavy, clear and vigorous production showcasing the songs perfectly."
Canadian extreme metallers THE AGONIST have released a video for their cover of Hozier’s chart-topping hit ‘Take Me To The Church’.
Guitarist Danny Marino said of the song, which is taken from their current album, ‘Five’, released last September via Napalm Records:
“It was fun to record a cover of a song that is so different from our material. Even though it is not metal at all, the song itself is very dark and meaningful. That's why we felt it could be really interesting as a more upbeat Agonist song. I'm happy that we were able to keep some elements while drastically altering others.”
The Agonist begin a north American tour with DevilDriver, Death Angel, Winds Of Plague and Azrael on 8 February.
PULLED APART BY HORSES will release their new album, ‘The Haze’, on 17 March via Caroline International.
Having recently shared their first new music since 2014’s ‘Blood’ in first single 'The Big What If', the band are now streaming the opening, title track HERE.
“We had to have ‘The Haze’ as the album opener - it gets down to business pretty quick!” vocalist and guitarist Tom Hudson revealed.
“One of my favourite sections on the album is the Kraut-rock-vibe middle eight in this track. We wrote and demoed it in our 'middle of no-where' Welsh writing session, the weird atmospheric sounds at the start of it were recorded outside the lodge we were in. There were these giant whirring fans and birds tweeting everywhere. The bell that opens the album was this little brass doorbell that was hanging up in the porch too.”
Bassist Robert Lee extrapolated: “With the third album [2014’s ‘Blood’], we were making a conscious effort to think about everything and really analyse what makes good songs work.
“This time around we wanted to get back to the spontaneity of the first record, to just hang out and have fun and see what happened, so we wanted to take ourselves away from our usual practise room, find a new space, both literally and metaphorically, and just immerse ourselves in music for fun once again.”
“Basically,” added Hudson, “we wanted to go with our guts and fuck everyone else.”
To facilitate this, at the beginning of 2016 the band completed by guitarist James Brown and new drummer Tommy Davidson, an old friend recruited from Leeds noise rockers These Monsters - decamped from their lock-up rehearsal facility in their native Leeds to a tiny, remote cottage on a dairy farm in the Welsh countryside for ten days.
“When we first got to the cottage we thought ‘There’s nothing to do here!’” said Brown.
“But that was precisely the point. There was no internet, no emails, no-one checking how we were getting on. We were writing for no-one but ourselves. We became like a little family - cooking for one another, building fires, holding late-night karaoke competitions – and completely immersed ourselves in the music.”
“One of the biggest influences in writing this new album was the new line up,” Lee revealed.
“We've known Tommy for many years, and he’s created a whole new level of creative spirit within the band.”
“Tommy has a different style of drumming – he’s a bit more hard-hitting, like a Dave Grohl/John Bonham type – and so that changed the dynamics,” adds Hudson. “He probably felt like he had something to prove, and in terms of creativity and pushing ourselves, his presence really made everyone step up.”
‘The Haze’ was recorded by Ross Orton (Arctic Monkeys/MIA/Drenge) at his McCall Sound Studio in Sheffield.
“When we were making our previous album, 'Blood', we were referencing a lot of Ross’s work, so it made sense to go straight to the source, and it was great to see him investing so much in the process” Lee explained.
“Ross essentially became a fifth member of the band for a month,” added James Brown.
LA based ska-punk quartet The Interrupters have announced three headline shows following their support slots with Green Day on next month’s arena tour.
“We had a couple of free days after the Green Day tour so we thought, why not add a couple of headline shows,” states frontwoman Aimee Interrupter. “It’s been too long and we are stoked to be coming back to the UK!”
The full run of dates is now:
Sunday February 5 - Leeds, First Direct Arena (with Green Day) Monday February 6 - Manchester, Arena (with Green Day) Tuesday February 7 - Kingston, Beggars Banquet, acoustic in-store (6pm) Wednesday February 8 - London , 02 Arena (with Green Day) Thursday February 9 - Sheffield, 02 Academy 2 (TICKET LINK) Friday February 10 - Liverpool, 02 Academy 2 (TICKET LINK) Saturday February 11 - London, Tufnell Park Dome (TICKET LINK)
The final four bands appearing that this year’s RITUAL Festival, which takes place at Canal Mills in Leeds on Saturday 8 April, have been confirmed.
The announcement is headed by ANAAL NATHRAKH and also includes BOSSK, UNFATHOMABLE RUINATION and KUROKUMA. They join a bill that also features IHSAHN (making an exclusive UK appearance), ALL PIGS MUST DIE, MISERY INDEX and the recently reformed CANVAS.
Bossk bassist Tom Belgey said of his band being added to the Ritual line up:
“Leeds has always been a historic city for our band, lots of our first really good shows were there. We were really impressed with its local scene even back in 2005, and played many shows with Humanfly. To see Canvas playing a show together again will be great, and will bring out lots of old faces from way back when we first played in Leeds.
“To be part of such a diverse bill is also fantastic, and is a testament to how good the Northern music scene is. This will be our first show of 2017, and our first with copies of the .1/.2 re-release LP.
“Ihshan released one of the best records of 2016, so really looking forward to seeing some of those tracks live. Also APMD have just finished a record, so hopefully they will be playing new tracks too. Support underground UK festivals like Ritual, they are a great chance to see a varied line up like this, and only exist with fans’ support.”
The final announcement is rounded off with the addition of brutal London based death-metal outfit Unfathomable Ruination and psychedelic sludgers Kurokuma.
There will be an official Ritual pre-show on the Friday (7 April) at Belgrave Music Hall featuring Bolzer, Fen, The Infernal Sea & Sathamel.
Tickets, priced at £30 for the main festival and £15 for the pre-show, are available HERE.